(1745-1804) was a Russian landscape painter, the uncle and mentor of Sylvester Shchedrin. He was born in St. Petersburg into the family of a life guard. In 1759, he entered the Academy of Arts in St. Petersburg, and in 1765 graduated with a gold medal and grants to study abroad. Shchedrin ventured to Paris, then to Rome. In Paris he studied the works of old and contemporary painters. Under the influence of Rousseau's idea that beauty exists not only in classic patterns of arts but also in everyday life and nature, Shchedrin worked much en plein-air, otherwise known as painting in outdoor environments. In Rome, however, he fell under the influence of classicism, the idea that art should reflect the works of antiquity and thus prolong their successes. Shchedrin returned to St. Petersburg in 1776 and became a professor of landscape painting in the Academy of Arts. He was assigned to draw views of the palaces and parks of Catherine the Great, which brought into existence such works as View of the Large Pond Island in the Tsarskoselsky Gardens (1777), View of the Large Pond in the Tsarskoselsky Gardens (1777), View of the Farmyard in the Tsarskoye Selo (1777). After 1780, Shchedrin also participated in the restoration of pictures in the Hermitage, and in 1799 he headed a new class of landscape graphics. The pinnacle of his art career came in the 1790s. The most famous of his works of the period are views of parks and palaces in Pavlovsk, Gatchina, and Petergof: The Mill and the Peel Tower at Pavlovsk (1792), View of the Gatchina Palace from the Silver Lake (1798), View of the Gatchina Palace from Long Island (1798), The Stone Bridge at Gatchina (1799-1801), View of the Kamennoostrovsky Palace through Bolshaya Nevka from the Stroganov Seashore (1803). The composition of all of his works is the same in accordance with the rules of academic classicism.   Related Paintings of Semyon Shchedrin :. | The Last Communion of St Joseph of Calasanz | St Catherine with the P | Lusco fusco | The Promenade - female portrait | Das Madchen,das ich Zurucklieb |
Related Artists:
Asta Norregaard
impression artist 1853-1933
Claude Deruet
(1588-1660) was a famous French Baroque painter of the 17th century, from the city of Nancy. Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to Andre Felibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615. Deruet was made a noble by the Duke of Lorraine in 1621, and was then made a Knight of the Order of St Michel in 1645 by Louis XIII, who had in 1641 absorbed most of Lorraine into France. He had a luxurious residence in Nancy, named La Romaine, where Louis XIII and his Queen stayed in 1633. Claude Lorrain was an apprentice to Claude Deruet in 1623 for one year. He also married and had two sons, one of whom became a painter.
Hendrik Gerritsz. Pot
(c. 1580 - 15 October 1657 (buried)) was a Dutch painter. He lived and painted in Haarlem, where he was an officer of the militia, or schutterij. Dutch artist Frans Hals painted Pot in militia sash in Hals' The Banquet of the Officers of the St George Militia Company (c. 1639). Pot is the man reading a book on the far right. Pot was born in Amsterdam and spent his early years in Amsterdam and Haarlem. In 1632 he traveled to London, where he painted the Royal Family. He lived from 1633 to 1648 in Haarlem, after which he moved to Amsterdam, where he died in 1657.. He served as Dean of the Haarlem Guild of St. Luke in 1626, 1630 and 1635. He served as the Guild's headman or Hoofdman in 1634 and 1648. He died in Amsterdam.